Sammlung: Monet to Morisot: The Real and Imagined in European Art

 Brooklyn Museum

February 11, 2022 – November 12, 2023

Featuring nineteenth- and early twentieth-century artworks from our collection by artists born in Europe or its colonies, Monet to Morisot: The Real and Imagined in European Art focuses on a period of significant societal transformation, when artistic techniques, subject matter, and patronage underwent profound changes.

The “real and imagined” throughline of the exhibition offers an evocative and flexible lens through which to consider the artworks across five interrelated themes, unbound by chronology, and to encourage critical questions: What is real and what is imagined in works that assert and reflect views of gender, class, labor, colonialism, and nature? Who produces these frames of reference, and for whom? These questions also remind us that the traditional canon of European art history is both imagined and real. It is a construct imagined by and serving a narrow, self-designated constituency, but it has had a very real impact on what has been collected and displayed in museums.

Presented are approximately ninety works by Claude Monet, Gustave Courbet, Berthe Morisot, Francisco Oller, Henri Matisse, Pablo Picasso, Yves Tanguy, and Vasily Kandinsky, among others.

12 Produkte
The Doge’s Palace by Claude Monet
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Houses of Parliament, Sunlight Effect by Claude Monet
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Portrait of Mme Boursier and Her Daughter by Berthe Morisot
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The Beach at Trouville by Eugène Louis Boudin
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The Vineyards at Cagnes by Pierre-Auguste Renoir
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The Order of the Grand Vizier by Jean-Joseph-Benjamin Constant
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The Bar at the Folies-Bergère by Jean-Louis Forain
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Nude Woman Drying Herself by Edgar Degas
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Young Women of Sparta by Jean-Baptiste-Camille Corot
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Jerusalem from the Mount of Olives by James Jacques Joseph Tissot
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View of a Field by Auguste-François Bonheur
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The Carpet Merchant of Cairo by Jean-Léon Gérôme
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